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Discussion Topics for Last Call


Reading Groups, Book Clubs, & Classes

K. L. Cook welcomes and encourages reading groups, book clubs, and writing and literature classes to read Last Call. He is happy to answer questions about the book and/or visit with groups—in person or via email, the internet or teleconferencing. Feel free to contact him for more information.

  1. How do the events in the Nature’s Way section of the book cast a long emotional shadow over this family? What kind of multigenerational legacy does the mother’s mysterious disappearance in "Gone" create for Laura, Gene, Rich, Gloria, Manny, and for their children?

  2. Some of the characters in Last Call are deeply rooted to a sense of place, while others attempt to escape from the place they consider home in order to reinvent themselves. What do the stories have to say about our emotional, psychological, even spiritual attachments to particular places and our yearning for, as Laura says in the final story, "a place to belong"?

  3. National Book Award-finalist Jean Thompson said, "The stories in Last Call are about fractured families, lovers and losers (often one and the same) and coming of age the hard way." Do you agree? Is the Tate family fractured? Who are the lovers and losers, and are they "one and the same"? What does it mean to come of age "the hard way"? How are the experiences of Laura, Travis, and Lee—the three young protagonists—similar, and in what ways are they different?

  4. In the Nature’s Way section, the mother abandons her family. In "Last Call," Travis says, "my mother and I had been fumbling to protect each other. It struck me at that moment as a futile thing to be doing. How strange it was to think that you could ever protect someone else." In the Pool Boy section, Lee struggles with the burden of having to protect and rescue his mother, sister, and father, a burden that continues to haunt him, as he says, "more than a quarter of a century later." What do the stories in Last Call tell us about our responsibilities toward others—family, friends, and loved ones? What are the emotional and psychological consequences of rescue, for both those doing the rescuing and those being rescued?

  5. "This idea of not being who you set out to be or even who you think you are," Lee says in "Pool Boy," "startled me then, made me wonder if I had any inkling who I was, if in twenty years I would look back on this time and not recognize myself or, worse, not care. If, like a snake, or a molting insect, I would outgrow this person and become someone different." Many of the characters in the book are preoccupied, some even obsessed, with the issue of identity and self-knowledge. To what degree do we shape our own identities, and to what degree are our identities shaped by experience and circumstance? Can we ever unlock the mysteries of others, even those we love and know best? Do we ever fully understand ourselves, or is the self fundamentally dynamic and therefore illusive? Is there a core self that is always identifiable?

  6. The epigraph for Last Call comes from Zoo Story, a play by Edward Albee: "I have learned that neither kindness nor cruelty by themselves, independent of each other, creates any effect beyond themselves; and I have learned that the two combined, together, at the same time, are the teaching emotion." In what ways do the individual stories and the collection as a whole dramatize this?

  7. Pulitzer Prize-winning novelist Michael Chabon said, "A group of linked narratives can create an effect you can’t get from a novel or from one story alone. It’s like a series of snapshots taken over time. Part of the pleasure is turning to them again and again. The interest lies in what has happened in the interstices." How are the stories in Last Call linked? In what ways are the stories self-contained, and in what ways are they connected to the other stories in the collection? In what ways are the different sections thematically and dramatically interconnected?

    (Visit the Linked Stories section to read more about linked stories, short story cycles, and novels-in-stories.)

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